BEIJING, 21 November (BelTA - China Daily) - A traditional Chinese
fashion exhibition hosted by the Beijing-based Prince Kung's Palace
Museum and the Singapore-based China Culture Center opened in Singapore
on Nov 19 and will last through Jan 5.
The exhibition features four core chapters, each brought to life through immersive storytelling. The first chapter re-creates the theatrical atmosphere of Kunqu Opera performances at the Prince Kung's mansion over 200 years ago.
The second chapter highlights the rich architectural forms and vibrant cultural spaces of the museum, and explores the refined aesthetic sensibilities and elegant lifestyle embodied by the mansion through contemporary Chinese fashion design.
The third chapter showcases a collaborative collection between the museum and designer Laurence Xu, with garments incorporating traditional intangible cultural heritage techniques and featuring architectural motifs, decorative paintings, and botanical elements from the mansion.
The fourth chapter presents an array of captivating works by Chinese fashion designers, celebrating the fusion of tradition and innovation in contemporary Chinese fashion.
The exhibition aims to serve as a bridge for cultural exchange and mutual appreciation between Chinese and Western civilizations. While showcasing the unique charm of Chinese aesthetics, it also allows international audiences to resonate with China's rich traditional culture on both a visual and an emotional journey.
The exhibition features four core chapters, each brought to life through immersive storytelling. The first chapter re-creates the theatrical atmosphere of Kunqu Opera performances at the Prince Kung's mansion over 200 years ago.
The second chapter highlights the rich architectural forms and vibrant cultural spaces of the museum, and explores the refined aesthetic sensibilities and elegant lifestyle embodied by the mansion through contemporary Chinese fashion design.
The third chapter showcases a collaborative collection between the museum and designer Laurence Xu, with garments incorporating traditional intangible cultural heritage techniques and featuring architectural motifs, decorative paintings, and botanical elements from the mansion.
The fourth chapter presents an array of captivating works by Chinese fashion designers, celebrating the fusion of tradition and innovation in contemporary Chinese fashion.
The exhibition aims to serve as a bridge for cultural exchange and mutual appreciation between Chinese and Western civilizations. While showcasing the unique charm of Chinese aesthetics, it also allows international audiences to resonate with China's rich traditional culture on both a visual and an emotional journey.
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